My thoughts turned to shape note music Mark shares my interest in early American hymn tunes, and it struck me that I might be able to find something. This time, I agreed to sing a solo for Mark Morgan, our music director at Hancock United Church of Christ, with plenty of lead time, so I started thinking about what to do. So when someone asks me to sing a solo in church, I have to really dig deep to figure it out.
I did not study at a conservatory, and don’t have a book of solos that I have practiced and performed.
Regiment – Brian Eno & David Byrne ( My Life in the Bush of Ghosts).Close (To the Edit) – Art of Noise ( (Who’s Afraid Of) The Art of Noise?).Jazz – Steinski ( What Does It All Mean?: 1983-2006 Retrospective).And weird, don’t forget weird.ĭo not attempt to adjust your set, there is nothing wrong. Even some kinds of remixes fall into the pattern, where a song is deconstructed to its component pieces and augmented with other sounds to make something new. And why not? The 1980s were when sampling came into its own-whether the cut and paste techniques of Steinski or the early digital sampling exercises of Art of Noise. I started making it just as an exercise in a certain type of 1980s dance music, but realized that what drew me into these songs were the bits of other songs and sounds that popped their heads up in the mix. Today’s edition of Exfiltration Radio looks at making songs from other songs. Boris Blank, of the 1980s band Yello, with the Fairlight CMI sampler
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